Hello. This will be the new home for over 800 book reviews that I have written between 1997 and the end of 2010. They used to be found at http://www.deadtreesreview.com/, but that site will be discontinued.

My newer reviews will be found at http://www.deadtreesreview.blogspot.com/.








Sunday, September 23, 2012

Writing Crime New York Style

Writing Crime New York Style, Joseph L. Giacalone, 1st Books, 2004

Many books have been written attempting to explain law and police procedure for crime writers; few are written by real cops. This book, written by an 11-year veteran of the NYPD, looks at real police procedures in the Big Apple.

It gives the street addresses, coverage areas and major landmarks for all the precincts in the five boroughs. It describes the various units and other personnel within a precinct, like the Integrity Control Officer, the Anti-Crime Unit, the Borough Task Force, the Emergency Services Unit, the Squad Commander, the Hate Crimes Task Force, and the Organized Crime Control Bureau, among many others. There is now no reason for a writer to put a precinct in the wrong part of the city, or to have a crime investigated by the wrong part of the precinct.

The author then explores what really happens at the scene of a homicide. Rigor mortis is part of practically every murder novel, but is usually done incorrectly. It does not turn a body permanently rigid; after about a day and a half, the body returns to totally flaccid. A reliable way for the medical examiner to determine the time of death is to check the contents of the stomach during the autopsy.

The first patrol officer on the scene will often make or break the case. He or she will establish the crime scene without contaminating it, and detain witnesses and suspects. Everything starts with a clear and accurate description, whether it's of a lost child or a murder suspect.

Other chapters look at police lineups, what the Miranda Warning is all about, courtroom testimony (including how to survive cross-examination), the various types of serial killers, and sex crimes and child abuse cases. There is also a handy glossary of actual police lingo and a list of police acronyms.

This is a very complete book. For writers of crime novels, especially NYPD novels, this book belongs on your reference shelf. For everyone else, read this book and see for yourself just how well, or how badly, TV does the police business. Highly recommended.

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